L had borne in mind the exercise every morning, and he worked with octaves in music every day, but the exercise did not make sense for him except as a loose metaphor. Of course when we tried to do something and used will power we got to resistance, and then we either gave up - apathy might be stronger than will power - or we pushed through and got a bit further. |
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Ralph Nelson Elliott 1871-1948
T had experienced computer crashes at work a few times over the month, wiping out a lot of work she had done. She swore at the computer, and there was tremendous resistance to continuing, which would entail redoing the work that had been lost. It was on those occasions that she recalled the octave idea, the need to apply extra energy to advance beyond resistance. It was like getting back on the horse again.
Leonard Cohen 1934-2016 At album launch event, 13 October 2016. |
Mikhaíl Bulgakov 1891-1940 |
Homer Simpson encounters the octave. |
The Meeting continued with the Reading from Beelzebub's Tales, Chapter 22.
... If you please, if you please, your Right Reverence,” Ahoon interrupted Beelzebub, and rattled off the following:
Allow me to report to you, your Right Reverence, some information which I happened to pick up concerning just that growth of those same Tibetan mountains about which you have deigned to speak.
...
So, dear Ahoon,” commented Beelzebub, and he added, “Thank you for this information…. Glory be to our CREATOR… what you have just said will probably help to destroy in my presence the anxiety which arose in me when I first constated the abnormal growth of those said Tibetan mountains, namely, my anxiety for the complete disappearance from the Universe of the precious memory of our Endlessly Revered Wisest of the Wise, Mullah Nassr Eddin.”
For T the final sentence referred to the possibility that Tibetan system of thought might obliterate that of Mullah Nassr Eddin, which she supposed to be Islamic. C asked why the Tibetan mountains should have abnormal growth. T thought that the mountains might be a metaphor for growing spiritually and believing in oneself to the extent of going to extremes. Gurdjieff symbolised that in the previous reading by the monks who queued up to be incarcerated for the rest of their lives. L said it seemed that Gurdjieff wrote simultaneously on three levels. First the superficial, in which mountains might grow higher. Second that of personal psychology and ego, in which mountains might symbolise the growth of beliefs. Third that of group psychology and superego, in which the connotation might be the growth of religions. D asked if it was possible to dismiss all these beliefs, or would that result in going mad? RM said it was possible to say I believe it, but I don't know it. This reminded L of the poet Wallace Steven's concept of the "supreme fiction".
... After returning to the planet Mars I soon became interested there in a work which the three-brained beings of the planet Mars were just then carrying out on the surface of their planet.
Clearly to understand in what work it was there that I became interested, you must know, first of all, that the planet Mars is for the system Ors, to which it belongs, what is called a ‘Mdnel-outian’ link in the transformation of cosmic substances, in consequence of which it has what is called a ‘Keskestasantnian-firm-surface,’ that is to say, one half of its surface consists of land-presence and the other of ‘Saliakooriapnian’ masses; or, as your favorites would say, one half of it is land or one continuous continent, and the other half is covered with water.
So, my boy, as the three-brained beings of the planet Mars use for their first being-food exclusively only ‘prosphora’—or as your favorites call it, ‘bread’—they, for the purpose of obtaining it, sow on the land of half of their planet what is called ‘wheat,’ and as this wheat derives the moisture it needs, for what is called evolving Djartklom, only from what is called ‘dew,’ the result is that a grain of wheat yields only a seventh part of the accomplished process of the sacred Heptaparaparshinokh, that is to say, what is called the ‘yield’ of the harvest is only a seventh.
Allow me to report to you, your Right Reverence, some information which I happened to pick up concerning just that growth of those same Tibetan mountains about which you have deigned to speak.
...
So, dear Ahoon,” commented Beelzebub, and he added, “Thank you for this information…. Glory be to our CREATOR… what you have just said will probably help to destroy in my presence the anxiety which arose in me when I first constated the abnormal growth of those said Tibetan mountains, namely, my anxiety for the complete disappearance from the Universe of the precious memory of our Endlessly Revered Wisest of the Wise, Mullah Nassr Eddin.”
Wallace Stevens 1879-1955 |
... After returning to the planet Mars I soon became interested there in a work which the three-brained beings of the planet Mars were just then carrying out on the surface of their planet.
Clearly to understand in what work it was there that I became interested, you must know, first of all, that the planet Mars is for the system Ors, to which it belongs, what is called a ‘Mdnel-outian’ link in the transformation of cosmic substances, in consequence of which it has what is called a ‘Keskestasantnian-firm-surface,’ that is to say, one half of its surface consists of land-presence and the other of ‘Saliakooriapnian’ masses; or, as your favorites would say, one half of it is land or one continuous continent, and the other half is covered with water.
So, my boy, as the three-brained beings of the planet Mars use for their first being-food exclusively only ‘prosphora’—or as your favorites call it, ‘bread’—they, for the purpose of obtaining it, sow on the land of half of their planet what is called ‘wheat,’ and as this wheat derives the moisture it needs, for what is called evolving Djartklom, only from what is called ‘dew,’ the result is that a grain of wheat yields only a seventh part of the accomplished process of the sacred Heptaparaparshinokh, that is to say, what is called the ‘yield’ of the harvest is only a seventh.
L thought that Mars worked as a perfect metaphor for the concept of the difficulty getting beyond the fourth stage of the octave, for a rocket attempting to go beyond Mars would have to overcome the resistance of the asteroid belt before it could reach the next stage, Jupiter. "R" said that the term Heptaparaparshinokh referred to the octave.
L said it was possible that Gurdjieff knew from Thomas de Hartmann that the seventh chord in music is often used to facilitate changing key in a way which entails the fourth note of the new scale falling back to the third. C asked why Gurdjieff cites Mars as a specific link in transformation of cosmic substances. L said this might be a poetic metaphor associating the fourth planet with the function of the fourth note of a diatonic musical scale, pointing to where more will-power is needed to go further.
As this amount of wheat was insufficient for their needs, while to get more of it they would have to utilize the presence of the planetary Saliakooriap, the three-centered beings there from the very beginning of our arrival there were always talking of conducting that same Saliakooriap in the requisite quantity, from the opposite side of their planet to that side on which their being-existence proceeded.
... Only sometimes I flew to the planet Saturn to rest, to Gornahoor Harharkh, who, during this time, had already become my real essence-friend, and thanks to whom I had such a marvel as that big Teskooano of mine which, as I have already told you, brought remote visibilities 7,000,285 times nearer.”
J wondered at the number, 7,000,285, as it is mentioned with such precision. L said that when Mars is described as half land and half water, it might allude to part of us being conscious and part of us being unconscious, and about trying to elicit things from the unconscious part to the conscious, which felt a bit like the mechanism of inspiration. Was it possible that inspiration came only from the subconscious or influences in the world, or was there an external source from another world. J thought there might be an external source within the artist. L thought that internal and external might not mean anything in these terms. J said there were different types of internal and external and to assume there was just one was usually the problem with these things. There is another side of the artist that gives the inspiration to the side which is implementing it. L said he was thinking that the road to freedom might be a door between ego and superego. J asked why there had been such concern about the mountains, and his take on it harked back to the earlier discussion about the strength of beliefs. If you were trying to eradicate your beliefs, there was a presumption, because of the patterns, that the world on which you lived was going to be a perfect sphere, it was not going to have unexplained encrustations and peaks. So it seemed to him as a comment on the impossibility and stupidity of trying to eradicate fundamental beliefs that you did not have a basis for simply because you wanted an objective pattern that did not have any input into it beforehand of belief that was questionable.
N said that Descartes had tried to question all his beliefs, and worked backwards till he came to a proposition which he couldn't doubt, which was I think therefore I am. L said it was good that N brought up Descartes because Gurdjieff asked further what does I am mean, and which I? RM got a sense from this passage that it was really about how inefficient we were. We grabbed an idea and held on to it, and it was only one-seventh of the whole picture. We did not expand our view and go further. L said that if we looked at this passage in terms of the metaphor of the individual and the group, he is talking about processes of moving ideas or intimations from one part of our mind to another, and in terms of the world cultural ideas from one part of another. RM said that inspiration may start with pattern recognition, but after that foundation the artist has to go a step beyond. Or after learning to cultivate wheat, there was a lot of scope for different kinds of food, C had been reading a new book by Carlo Rovelli, Reality Is Not What It Seems, which says that within covariant quantum fields, which move about like waves, the reciprocal action on them creates time and space and everything in it, including us and the mountains.
L said it was possible that Gurdjieff knew from Thomas de Hartmann that the seventh chord in music is often used to facilitate changing key in a way which entails the fourth note of the new scale falling back to the third. C asked why Gurdjieff cites Mars as a specific link in transformation of cosmic substances. L said this might be a poetic metaphor associating the fourth planet with the function of the fourth note of a diatonic musical scale, pointing to where more will-power is needed to go further.
As this amount of wheat was insufficient for their needs, while to get more of it they would have to utilize the presence of the planetary Saliakooriap, the three-centered beings there from the very beginning of our arrival there were always talking of conducting that same Saliakooriap in the requisite quantity, from the opposite side of their planet to that side on which their being-existence proceeded.
... Only sometimes I flew to the planet Saturn to rest, to Gornahoor Harharkh, who, during this time, had already become my real essence-friend, and thanks to whom I had such a marvel as that big Teskooano of mine which, as I have already told you, brought remote visibilities 7,000,285 times nearer.”
J wondered at the number, 7,000,285, as it is mentioned with such precision. L said that when Mars is described as half land and half water, it might allude to part of us being conscious and part of us being unconscious, and about trying to elicit things from the unconscious part to the conscious, which felt a bit like the mechanism of inspiration. Was it possible that inspiration came only from the subconscious or influences in the world, or was there an external source from another world. J thought there might be an external source within the artist. L thought that internal and external might not mean anything in these terms. J said there were different types of internal and external and to assume there was just one was usually the problem with these things. There is another side of the artist that gives the inspiration to the side which is implementing it. L said he was thinking that the road to freedom might be a door between ego and superego. J asked why there had been such concern about the mountains, and his take on it harked back to the earlier discussion about the strength of beliefs. If you were trying to eradicate your beliefs, there was a presumption, because of the patterns, that the world on which you lived was going to be a perfect sphere, it was not going to have unexplained encrustations and peaks. So it seemed to him as a comment on the impossibility and stupidity of trying to eradicate fundamental beliefs that you did not have a basis for simply because you wanted an objective pattern that did not have any input into it beforehand of belief that was questionable.
N said that Descartes had tried to question all his beliefs, and worked backwards till he came to a proposition which he couldn't doubt, which was I think therefore I am. L said it was good that N brought up Descartes because Gurdjieff asked further what does I am mean, and which I? RM got a sense from this passage that it was really about how inefficient we were. We grabbed an idea and held on to it, and it was only one-seventh of the whole picture. We did not expand our view and go further. L said that if we looked at this passage in terms of the metaphor of the individual and the group, he is talking about processes of moving ideas or intimations from one part of our mind to another, and in terms of the world cultural ideas from one part of another. RM said that inspiration may start with pattern recognition, but after that foundation the artist has to go a step beyond. Or after learning to cultivate wheat, there was a lot of scope for different kinds of food, C had been reading a new book by Carlo Rovelli, Reality Is Not What It Seems, which says that within covariant quantum fields, which move about like waves, the reciprocal action on them creates time and space and everything in it, including us and the mountains.